Removes a cringeworthy character that nobody can really defend the inclusion of from a creative perspective.

A mentally unstable photo developer targets an upper middle-class family after his obsession with them becomes more sick and disturbing than any of them could imagine.

The ReWorkedPrint recuts the film as closely to an early version of the film, with an alternate opening/ending, new narration, removed the wraparound story, and some reinserted deleted moments.

Based on Scott Turow's novel "Presumed Innocent" (1987), adapted from its namesake movie (1990), and in anticipation of the upcoming Apple+ mini series, "WAS JUSTICE DONE?" explores the question of justice, inside and outside of the law, in two versions.
In both, Rusty, a married prosecutor, has an affair with a beautiful colleague. When she is murdered, he investigates the case until he himself becomes the prime suspect. He hires Sandy Stern, a top defense lawyer, to plead his innocence. The killer is revealed: Version A matches the original movie, Version B reveals a different killer.
This fanedit is faster paced (38 minutes shorter than the 1990 movie). The timeline is compressed (the victim starts out alive, the affair is ongoing). It remains unclear whether Rusty is the killer (until the reveal).

Removed the scenes that cut away to the narrator throughout the film, and rework the story to flow smoothly without interruption.

Dune: Kwisatz Haderach - Part One is the first of a two part project, and is an experimental cut that explores how much of the film can be cut without turning into a muddled, non-cohesive mess. Cutting twenty-two minutes of footage, I was able to create a shorter, hopefully still satisfying cut of Dune: Part One clocking in at two hours and thirteen minutes.

I am proud to present Dune: Kwisatz Haderach - Part One.

A frame-accurate recreation of the original Super 8 cuts for Harryhausen’s ‘The Golden Voyage of Sinbad’, using a full-screen HD colour source taken from the Indicator release. Featuring multiple audio options, subtitles where relevant, and carefully applied enhancements to stop-motion animation for ‘Sinbad Battles the Monsters’ and ‘Sinbad Duels the Idol with Many Arms’. Black and white ‘purist’ versions with no adjustments to animation are available where relevant.

Bruce Wayne is forced to confront his dual nature as Batman as a brilliant megalomaniac and a psychotic district attorney wreak havoc over Gotham.

The 1961 film, featuring Audrey Hepburn in her likely best-known role, has been conformed to match the 1958 novella of the same name by Truman Capote as much as possible, as well as removing the horribly-dated appearance of Mickey Rooney. In essence, this edit takes the romance and some "comedy" out of a beloved romcom!

I made this edit a couple years ago, at the same time that I made my Terminator 3 edit. I didn't release it because it was a somewhat minor edit that I just made for myself. But recently, on the forums here, on Reddit and in my direct messages, I have seen a few people looking for good edits of Salvation. So I decided I might as well release mine.

Bad Movies Made Less Bad Presents:
Lessons Learned the Hard Way.

Inspired by the shorter format of Marvel's Special Presentations, THE LEGEND OF THE GHOST RIDER is a tight introduction to the character of Johnny Blaze with an "all killer, no filler" approach.

Make the main character more likeable and focus on the ships and crew rather than alien hand to hand combat.

This fan edit reimagines the Twin Peaks film and all of its deleted scenes by cutting it into a 3 episode mini series that mimics the style of the first two seasons of the show.

The most significant aspects of this edit are:

1) It combines Fire Walk With Me and The Missing Pieces deleted scenes into 3 episodes.
2) The storyline has been reordered, so that the Laura Palmer plotline appears first and the Chet Desmond/Deer Meadow plotline is intercut with it.
3) There is a custom intro for each episode like in the original show.

Episode titles:
Episode 1 - The Owl Ring
Episode 2 - The Path to The Pink Room
Episode 3 - Beyond Angels & Owls

The year is 2024.

Industrial pollution has destroyed the ozone layer, leaving the planet at the mercy of deadly ultraviolet rays. An electromagnetic Shield now protects the Earth by blocking all light from the Sun. Humanity was saved but it has been living in perpetual darkness for decades. A general malaise hangs over the world as society slowly crumbles.

A small group believes the Ozone layer has repaired itself and that the Shield is no longer necessary. They seek out an aging Connor MacLeod for help. But forces from MacLeod’s distant past have also returned. And they aim to finish him off once and for all...

The Lion King has be released on home media several times over, with changes being made along the way. Many of these changes were for the better, but some of them were for the worse. This fanedit of the film serves to take some of the better changes from earlier releases of the film and add them back into a more high quality, later edition copy of the film. Also included are more songs!

As a huge fan of the original Creepshow, I've always been disappointed by the sequel. For one thing, it only has three stories instead of the original film's five. And the lack of original composer John Harrison's iconic score didn't help. This FanMix adds a story and the original Creepshow theme, as well as reordering the stories and trimming one to improve pace, to bring Creepshow 2 up as close as possible to the standard of its predecessor.

As we approach the 15th anniversary in March 2024, I'm immensely excited to release this new version of the 2009 Watchmen movie. At first, it sounded simple. Just add the squid back in. But I decided it was really an opportunity to expand the movie beyond that. Using voice cloning and footage from the 2019 sequel miniseries, I was able to add back in major plot points from the comic. And by inserting nearly the entire Under the Hood feature as an in-world 60 Minutes type interview, I've expanded the world and story significantly.

I’ll go through both broad strokes and in intricate detail in other sections.

Using Hal9000's edit as my baseline, I wanted to mainly fix the Leia Mary Poppins scene by making it appear Luke saves her by using The Force. This required a major reshuffling of scenes to make this work. Now Luke has one more heroic moment saving her sister rather than the ridiculous scene we got in theaters.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

This is for people who think “Please don’t edit Andor, it’s already perfect… I’d take it as movies though.”

This is Andor season one, rearranged into four movies of roughly two hours each, removing no content whatsoever, just focused on smoothly presenting each major A-plot as a movie whilst moving the supporting B-plots around to keep each movie as focused as possible, so each movie is self-contained and easily digestible.

When you watch this I want you to feel like WBD released a brand new 4 hour Blu ray of Superman without any new fancy VFX or anything. It is just a straight up re-edit utilizing all HD footage possible to drastically improve the movie. NO major changes, I don't want you to notice that I edited anything. I'm just trying to make the best film possible using all the available high quality footage. I almost want to call it THE SIMPLE MAN'S CUT.

I wanted to make a different version of this quite boring remake that Gus Van Sant gave us.
Cut out a lot of scenes to speed things up and rescore it with a 80's vibe.

A three-part horror anthology hosted by Boris Karloff.

1. The Telephone. Giallo-style thriller in which a woman is terrorised by her former pimp after his escape from prison, and tries to escape him with the help of her lesbian lover, who has a dark secret of her own.
2.The Wurdalak. A vampire-like monster who preys on his family
3. The Drop of Water. A nurse steals a ring from the corpse of a dead spiritualist, which naturally tries to get it back.