Counterfeit Cop Caper, The
A great, tight edit.
My favorite from this Consecution.
The story was coherent and made logical sense.
No character development, but the heist caper was easy to grasp and follow.
Black and white was solid, and gave this a gritty Noir feel.
Audio was fine, as well. Earsplitting gunfire, jazzy musical undercurrent.
A fun filler.
- Nice music choices, gave it a 70s feel
- If I'm nitpicking the sound levels could be adjusted just a bit as far as music vs. dialogue, but it wasn't jarring or anything but occasionally the dialogue was hard to hear, I guess it was necessary to hide center track spillage as far as the original music
- Some pixellation/artifacts (no idea if this is due to the full DVD encoding, or the fanedit short itself, or maybe the conversion to black&white?) throughout the edit
- I rewatched the the scenes in The Town that were used in this edit. Very nice editing with regards to intercutting of the scenes discussing the job and the heist itself
- Was that song near the end from Le Samourai?
- Narrative-wise this was excellent, nicely done
I really liked this. The story was edited very neatly to work as a standalone piece, with the flashback outlining the plan as it goes into action giving it a classic heist film feel while the style of it just oozes class. The black and white worked very well, though I noticed compression artefacts at some points. The soundtrack was very good and really helped give it a classic noir feel - although it got a bit loud towards the end.
Overall, I thought this was great. Yes, it has a couple of issues - but they're minor and didn't detract from my enjoyment in the slightest.
Catchy Jazz-heavy soundtrack really helps the pacing. I like the noir style
flashback/forward from the planning phase to the heist in action. There's some
noticeable compression artifacts throughout. Banding effects, mostly. Maybe that's
an issue with the source copy that the black and white brought attention to? Or maybe
something went wrong in conversion, compression, or rendering phases. It isn't the
worst, I can still see what's happening with a reasonably high amount of detail. But
it is distracting. I do like the story told here. Stripping away the rest of the
film, leaving just enough context to follow along... it's dizzying, separating the
genuine police from the imposters. A very scary, very real concept.
I absolutely loved everything about this edit except for the B&W treatment. The blacks were too black and there was a lot of pixelization. Other than that, incredible work.