Cosmogony

My first impressions were mixed. I do not think the subheading fits the title, because “Cosmogony” has a high tone that does not gel with the demotic “a fanedit about us”. The cover art was exceptional though and fitted the theme perfectly.

The DVD main menu was simple and effective, with a short, well-chosen clip that avoided the usual trap of animated menus: boring me senseless with a repeating montage of what I am about to see. (It could run for a little longer before it loops though.) The chapter menu is fine, but the black text does not work well against the background image. There is a nice trailer as an extra.

The division of the work into sections, with well-chosen headings, is successful and helps to unify the edit and give it structure; however, some sections are overlong, feel disjointed and feature too much material from the usually-well-selected films from which they are sourced. As a result, there are moments in which the edit feels like watching the originals and loses pace. These include the extended sequence with the proto-humans and the latter half of the one from 1492.

Where it succeeds, the edit is wonderful. Where it doesn't, it is always interesting, even when it has ceased to be enjoyable, and this says a great deal about the scope of the edit and the ambition of its editor. A strong beginning and ending help greatly and serve to bookend an edit that feels more like a fan-creation than a fan-edit.


Video

The video, drawn from a variety of sources, is of high quality for DVD. Extremely rarely, there is some blocking. Perhaps inevitably, the quality is not always consistent, and I couldn't help feeling that some color grading could have been applied to give the edit more of a look of its own.

Unfortunately, the edit cuts between sources that display nominal analogue blanking and sources that do not, with the result that the transition from one source to another is sometimes visible, and this should have been addressed during editing. What effects shots there were did not stand out as being added, which means they succeeded. :-)

Overall, Cosmogony presents a pleasing and generally-stable image.

Audio

The audio is harder to judge. It is well edited. No cuts stand out. Dynamic range is subject to personal preference but, as the edit is largely music-based, it is worth noting that sometimes the volume is a little high. Music choices are a matter of taste, so I shall simply observe that the music chosen usually fitted the subject matter and say that the replacement of the original scoring showed skill.

TMBTM's work is always vibrant and artistic; Cosmogony is no exception. It wavers between the broad, almost dreamlike sweep for which it aims and its focus on individual moments, but is diverting to the last.

This was pretty badass. The Man Behind The Mask took me on an awesome journey and I felt more at one with the universe.

I was very excited to watch this when I first read about it. I love films and documentaries about the origins of life.

This film is very well made, especially the first half. I was stuck to the screen for the first hour. What an amazing experience. I thoroughly enjoyed most of this film. The only part I felt didn't fit as well was the scenes from The Emerald Forrest. I get how it adds to the narrative but it just ruined the flow of the movie for me.

Also, I did not like the soundtrack very much. I love Neil Young and Classic Rock but the songs choices just made the film feel like it was made in the 70s or 80s. I would have loved if had a vibe like Trent Reznors film scores. Or music from electronic producers like Aphex Twin, Boards of Canada, Teen Daze, Schlomo, or Clams Casino.

Overall, I really enjoyed watching this and will definitely be recommending this to people.

Parts of Cosmogony were beautiful, combining tone poetry with reflections on life and humanity. I'm reminded of some of the documentaries and movies that have caused me to think of my place in the universe, and this ambitious edit is like a feature-length collage built from those pieces.

Cosmogony felt overly long in places, and large swaths of footage from The Emerald Forest carried unintentional goofiness that didn't match the tonality of the rest of the edit. The soundtrack was overlaid evenly and with skill and was appropriately ethereal or elegiac in places, though other musical selections didn't work so well and took me a bit out of the experience, particularly the overly dramatic synthesizers attached to the Apocalypto chase sequence.

The meditative and almost spiritual nature of TMBTM's effort reminds me of blueyoda's superb (fe) la vie series, in that they rely on no primary cinematic source to tell a deeply emotional story that cannot be neatly summarized. Definitely worth a watch.

Enjoyjoy: 8 pelvic aerothusts.

This is beautiful.
A beautiful, bold and lyrical experiment in artful storytelling.
I will be honest, I did not quite grasp it all. But what did not register with my intellect definitely manipulated me emotionally. There were moments where I did struggle with the narrative; where it felt a bit too long or drawn out, but then the story would evolve and I would find myself engrossed again.
I don't know if is this something I would watch repeatedly, but I do feel richer for the experience.
Thank you TMBTM!