Review Detail
9.7 12 10
(Updated: June 30, 2019)
Overall rating
9.6
Audio/Video Quality
9.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
10.0
Overview - Brilliant reboot of the Bond franchise finds James, not only newly promoted to 00 status, but rather inexplicably, newly promoted in general. As if he is a green rookie, lacking experience, viewed skeptically by all in British intelligence.
Problem Eliminator removes all latter suppositions. Bond may have a new license, but chances are he had been a field agent for years, and his promotion well earned.
Video - 1280 X 546p AVC. Solid editing throughout. Once, perhaps twice, I noticed a longish fade to black transition, but never at a point where it interferes with the tempo or mood. The colour correction is nicely handled throughout..
Audio - 352 kbps 2 Channel stereo AAC. No subs. I listened to this using headphones. On a few occasions, the dialogue is difficult (almost exclusively these are exchanges between James and Vesper), possibly from the source, possibly the mixdown from 5.1, possibly shortcomings of my equipment. Generally, most of the sound is excellent. I did not notice the opening song remix until I reread the editor’s comments after viewing.
Narrative - No complaints here. The story is faithful, despite bits excised here and there. The only sequence I dislike remains the recuperative period after Montenegro and before Bond fields the “where’s the money?” call. I have always found that section mawkish and difficult to believe. As if the British government would not jet in immediately to retrieve £100M.. It was in the original film, it is in this edit, and it still causes me to shake my head in disbelief.
Enjoyment - Confession. I went into this rather cold. I had gotten PE’s edit over a year ago, but, owing to technical problems, had been unable to view it. After sorting those, I had forgotten what Problem Eliminator’s original intent was. And instead to refreshening my memory, I just loaded the edit.
A Bond movie I am quite familiar with, I was soon noticing omissions. My reactions ran along lines of, “Oh, he took that out. No loss.” “Good riddance there, that line made Bond look stupid.” “That had been weak, too, as if he couldn’t buy his own clothes.” “Aw, hell, the hospital bit, I hope he cuts this.”
I like this version. Like it a lot, and I wish producers had crafted this excellent 007 film this way.
Problem Eliminator removes all latter suppositions. Bond may have a new license, but chances are he had been a field agent for years, and his promotion well earned.
Video - 1280 X 546p AVC. Solid editing throughout. Once, perhaps twice, I noticed a longish fade to black transition, but never at a point where it interferes with the tempo or mood. The colour correction is nicely handled throughout..
Audio - 352 kbps 2 Channel stereo AAC. No subs. I listened to this using headphones. On a few occasions, the dialogue is difficult (almost exclusively these are exchanges between James and Vesper), possibly from the source, possibly the mixdown from 5.1, possibly shortcomings of my equipment. Generally, most of the sound is excellent. I did not notice the opening song remix until I reread the editor’s comments after viewing.
Narrative - No complaints here. The story is faithful, despite bits excised here and there. The only sequence I dislike remains the recuperative period after Montenegro and before Bond fields the “where’s the money?” call. I have always found that section mawkish and difficult to believe. As if the British government would not jet in immediately to retrieve £100M.. It was in the original film, it is in this edit, and it still causes me to shake my head in disbelief.
Enjoyment - Confession. I went into this rather cold. I had gotten PE’s edit over a year ago, but, owing to technical problems, had been unable to view it. After sorting those, I had forgotten what Problem Eliminator’s original intent was. And instead to refreshening my memory, I just loaded the edit.
A Bond movie I am quite familiar with, I was soon noticing omissions. My reactions ran along lines of, “Oh, he took that out. No loss.” “Good riddance there, that line made Bond look stupid.” “That had been weak, too, as if he couldn’t buy his own clothes.” “Aw, hell, the hospital bit, I hope he cuts this.”
I like this version. Like it a lot, and I wish producers had crafted this excellent 007 film this way.
User Review
Do you recommend this edit?
Yes
Format Watched?
Digital
V