Captain Marvel: Where's the Love

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9.6
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9.6(25)
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9.6(25)
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9.7(25)
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9.7(25)
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10.0
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10.0
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10.0
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9.0
I've never seen the original, so I can only speak for this edit by itself. I really enjoyed it. I didn't notice any visual or audio issues. I found the initial mystery of the narrative interesting as well as the relationship Carol had with the Intelligence and Jude Law's character. The only point I didn't enjoy, which is not the fault of the edit, was Carol blasting Jude Law when he offered a fist fight.

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Yes
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Overall rating
 
9.5
Audio/Video Quality
 
9.0
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10.0
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10.0
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9.0
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9.0
Finally getting around to reviewing this. I caught an early version a while back and this has been immensely improved with the audio quality. I really disliked this movie the first time I watched it and I left it out whenever I wanted to watch Marvel movies again. Tremault did an amazing job of making this movie enjoyable! I was actually invested in the movie instead of wanting to go on my phone.

I always praise edits of Marvel movies that trim down the over the top humor and it's done perfectly here. The serious moments have their time, and the better humor gets to breath and land.

Pacing of the movie for the most part is great. Everything up until we get to Earth flows so nicely. I think the Earth scenes could have been trimmed some as it still slows when we are there, but I'm not sure what could be trimmed. The end fight feels a lot better when you actually like Carol. The movie starts and ends strongly.

Overall tremendous work, I'm looking forward to watching your Shang Chi and Thor edits!
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(Updated: April 15, 2022)
Overall rating
 
9.4
Audio/Video Quality
 
9.0
Audio Editing
 
9.0
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10.0
Narrative
 
10.0
Enjoyment
 
8.0
First, to establish a bit of background for my viewing of this edit:

I never saw the original. I collect all MCU, but I hadn't gotten around to this.
This edited version of the character is my first impression of Danvers.
Consequently I can only evaluate the edit on its own merits.

The plot of this thing was on the weaker side, but overall serviceable.
The pacing was somewhat plodding and could use some refocusing.
I'm unsure if the editor tweaked the internal structure, but this was mostly fine.
It wasn't difficult to watch, nor did it prevent me from appreciating the changes.

I understand the editor wanted to portray Danvers as likable and warm.
In this goal the editor succeeded. Danvers was easy to root for and a badass.
There is an emotional underpinning to her powers that I kinda dig.
Her connection to the people around her is evident and clear with this cut.

Visual quality is good. Added-in footage is noticeable but not absurdly so.
The editing was seamless with exception to some music that needs leveling.
I understand the film was color graded to reflect Danvers' emotional state.
It helps to illustrate the kind of narrative that the editor was going for.

Overall this was a nicely-done film when considering the goals it set out to do.
I would say it's a worthwhile addition to the MCU timeline.
Would I watch it again? If cuts were made to help the plot get to the point.
But I definitely recommend this version of the film just on its own merits.

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(Updated: April 14, 2024)
Overall rating
 
9.3
Audio/Video Quality
 
10.0
Audio Editing
 
9.0
Visual Editing
 
8.0
Narrative
 
10.0
Enjoyment
 
10.0
I'm a fan of the original (even if Carol is introduced as quite an unlikable person) seeing as it was the first female-led MCU project. I'm a girl that's rooting for more female superheroes, sue me. Tremault's edit did what Marvel should've, cut out the BS and all the poorly executed sarcasm and turn it into a well-rounded intro to a badass. I loved the color change that came with the flashbacks and especially appreciated that we got to see them in real time. Above all, the replacement of the young Carols standing up in various settings montage has to be one of my favorite changes of this edit. That HAD to go. As she'd intended to do with this cut, Tremault made Carol Danvers far less bitter-sounding and succeeded in making her likable.

As for the negatives, the blur effect meant to portray the implants interference with Carol's abilities seemed a little random and I wouldn't have known what the intent of it was without reading the 'Changes' list. Initially I thought it was meant to highlight her heightened emotions. Next, there were 2 instances where scenes seemed misplaced: the Starforce crew's deleted scene before descending to Torfa starts at an awkward spot ("Was there every any doubt?"), and the strange placement of Yon-Rogg's long conversation with Ronan meant to cover the time it took for Carol to walk from the stove to the table also felt strange. Another slight blunder was the distorted call from the phone booth to Yon-Rogg, which felt a bit clunky, I think this might have been avoided if lines hadn't been repeated and is fairly minor, and probably entirely personal preference. My final mention is in regards to the volume of the replaced montage. Most of the lines are nearly drowned out by the music and I'm not entirely sure what the intention was here. Were we supposed to hear some of it, all of it or none of it?

Even with the list of negatives, I thoroughly enjoyed this edit, have already watched it three times. and I would absolutely recommend it.

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Top 1000 Reviewer 2 reviews
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Overall rating
 
10.0
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10.0
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10.0
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10.0
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10.0
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10.0
Welcome to the Try Not To Get Political when mentioning this movie challenge spectacular!!! With your host me, myself and I. Many lives were accosted during The Great Captain Marvel war of 2019. It is always a good sign when the fanbase is divided/alienated, especially when some just wanted to get to Endgame. Brie Larson CAN ACT (i.e. Scott Pilgrim), despite some moments in this movie. So here is my stance on her politics.... Jude Law is so very handsome and hunky.

Now, where were we? This edit is a triumph of MCU fan editing. It is on par with macmillan's Avengers: Asssembled, Kikanator96's Age of Ultron: De-Whedoned and Bobson Duggnutt's TASM2/Homecoming edits. Captain Marvel as an idea isn't a bad one, the way the do the flashbacks are great rather than exposition dumping. Thank Kang that the editor cut the "cockpit" moment and moments of Vers being unlikeable. The first chunk with all of the cringe cut, made me realize how much I love the sci fi elements in the Kree home world as well as some of the world building.

My problems arise when they get to Earth, to no fault of the editor. I was reminded of the continuity errors in this movie. For example, S.H.I.E.L.D. already has the acronym when they were coming up with it in the first Iron Man movie coupled with the tesseract ending up where it is in this movie. Don't get me started on the Nick Fury eye loss. Spider-Man: Far From Home retconned his eye scar to have claw marks on it. Anyway, with all of the negatives out of the way, I was reminded how great most of the character moments are with all of the condescending moments cut. I found myself routing for Carol Danvers and her journey.

I also was reminded how great Nick Fury was in this movie, aside from a few quibbles. I even don't mind the Skrulls-are-good twist, I can head canon myself in saying that it is not the Skrull race as a whole. Also replacing "Just A Girl" with "Violet" by Hole was the best decision. Is this my go-to version of this? Maybe. I might even give it a few more watches. If it is any consolation, I would absolutely show this to my daughter if she were to turn out just as nerdy as me. Thank you for this edit, you made me find the love for this movie. This should have gotten FEOTM or even FEOTY.

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Yes
Format Watched?
Digital
Owner's reply March 05, 2023

Thank you so much, that is high praise indeed!!! :D

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