Batman: Descent Into Mystery

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9.2
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Overall rating
 
8.6
Audio/Video Quality
 
8.0
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10.0
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10.0
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8.0
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7.0
As unfamiliar as I am with the character from the comics (having not read a single one), certain elements of Tim Burton's 1989 Batman never felt quite right to me, Dwight Fry's edit pretty much clears it up and makes for a much more enjoyable experience.

The removal of the flat "romance" and some sillier aspects (Batwing completely missing the Joker?) is seamless, as is the excision of Bruce and Jack's prior history. While some may say that this makes the flashback and associated scenes pointless, it doesn't seem out of character to me that this event is something that Bruce would dwell on, and besides is an important piece of backstory that the first "proper" film adaptation of the comics ought to include.

While still not a film I can claim to really like (unlike the sequel, for all its weirdness) this is definitely my go-to version, the theatrical cut may never leave its case again!

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(Updated: May 07, 2020)
Overall rating
 
7.6
Audio/Video Quality
 
8.0
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8.0
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10.0
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6.0
Enjoyment
 
6.0
As a fan of the comics, the intent of the cut is obvious, but the editor ends up tearing the heart from the original movie and creates a sterile watch.

Firstly, there is no compelling reason to cut the Bruce Wayne / Vickie Vale relationship. Without it, Bruce becomes a one-dimensional character with little development. Without Vickie providing a background to it in her investigation, the death of his parents is utterly without place within the context of the story. The absence of a romantic relationship also creates an oddness in the edit's continuity at times (Vicki goes to the museum and waits for nobody in particular, for example). Alfred is almost pointless if he cannot coax Bruce to pursue Vickie, as is Knox (as the "other" man).

Secondly, the Batman / Joker relationship in this story is shallow without the parent connection, even if that connection is distasteful to a comics purist. Batman passionately beats the hell out of the Joker in the climactic scene in the belfry, with no dialogue in a jarring manner. Without that verbal back and forth, the scene lacks tension. There is little to underpin Bruce's obvious anger aimed towards him.

The editor tries to paint Batman as an invincible monolith, as he sometimes is shown in the comics, but I would argue Batman's best interpretations show him as vulnerable and human. Even when Batman is brought crashing down in the Batwing, we are not allowed to see his injuries as per the original cut, nor his struggle against the Joker's goons in the belfry. There is never any fear that this Batman might fail, which in combination with Bruce's stunted character development, makes him uninteresting.

Besides this, the cut is impeccable in terms of the visual cuts, though the edit is not stellar in terms of visual quality (the blacks were at times pixelated), and the audio transitions on occasion were too sudden, such as when Bruce remembers his parents' death from the preceding scene. The volume of the cut seemed very low.
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Overall rating
 
10.0
Audio/Video Quality
 
10.0
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10.0
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10.0
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10.0
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10.0
Nothing to add, it is just perfect =)

I challenge you do the same to batman 3 and 4 =)

Everytime i'm gonna watch it, i'll watch this edit =)

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Overall rating
 
9.2
Audio/Video Quality
 
9.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
8.0
Enjoyment
 
9.0
I really loved this edit of the movie. At first, I really missed the Prince song Party Man, but as the movie went forward I realized how out of place that scene would have been in this cut--and we got Prince's "Trust" a little later. (I'm a Prince fan. He wrote a song called 200 Balloons for that scene, and it's a on a CD Single. If I ever re-edit this, I've always wanted to use that track.).
In general, there isn't any one thing I can point to that is "wrong" with this edit. The problem is that there isn't much emotional investment with anyone. The things you cut, I agree with. And yet if the Joker didn't kill Batman's parents, that fight in the belltower doesn't have much power to it, IMO. I mean, Batman seems super-pissed and taking the whole Joker-trying-to-kill-everyone-in-Gotham-including-Vikki-Vale thing personally. It just felt a little emotionally hollow.

I still have to say it was a really fun ride, perfect editing. The Joker was great--I found myself speaking dialogue out loud with him. I was glad none of the lines I remembered so well were gone.
In many ways this is much more fun than the original. Much tighter and the Joker is menacing and charismatic. Also, I thought the picture and sound were very very good on my tv, much better than I remembered it. This seemed to fly by!

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Overall rating
 
9.8
Audio/Video Quality
 
9.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
10.0
Enjoyment
 
10.0
It's hard to say how much better this film is than the original. The pacing is tighter, the tone is darker, yet you still get a cackling maniacal Joker, a tormented Bruce Wayne, and a brooding Dark Knight. What's missing is everything that wasn't Batman - every moment that made you think "Wait, would Batman do that?"
Ironically I had just watched Tim Burton's original Batman, listening to Kevin Smith's analysis from his "Fatman on Batman" podcast. Every point he made against the original is fixed here. If you loved the original, as I do, you owe it to yourself to check this out. You'll end up loving it twice as much.

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